Graffiti has long been debated on its legitimacy as a form of art.
On one side of the argument there are those who say it is a mindless act of vandalism, devoid of creative merit. On the other hand, there are those willing to risk imprisonment, and sometimes even their lives, in order to spread their message or simply leave their mark on the world.
Filmmaker Jon Reiss' documentary "Bomb It" explores the life and history of graffiti writers, also known as bombers, from their roots in the late-1960s to the present day phenomena spread across the globe.
The documentary begins with the origins of bombing, in the streets of Philadelphia and its migration to the subways of New York City, where rebellious youths became anonymous celebrities as their names appeared on subway trains and buildings across the city.
The film interviews the founder of the movement, Cornbread, and recalls how others soon followed in his footsteps in New York City.
The documentary then moves forward through the decades and across continents. Paris, Tokyo, São Paulo and various other cities are explored. With every region, new styles, philosophies and social problems are ushered in.
Guerrilla footage captures bombers defying the law and tagging spots with a quick spray, or a far more elaborate piece of artwork.
Reiss captures powerful words from the graffiti writers themselves.
Black and Arabic youths in France, tired of being the oppressed minority, use bombing as an attack on the political structure of the country, echoing Descartes with, "I bomb, therefore I am."
With the images captured, the audience can truly see how the various regions of the world influence the bombers themselves. The architecture of São Paulo truly resembles the styles of the multitude of Brazilian bombers. The cutting edge technology of Japan is clearly expressed in the work of Tokyo graffiti writers.
The film also aims at the debate over the legitimacy of graffiti as an art. Rather than solely centering on the painters themselves, the film also includes interviews from those who oppose graffiti.
Some of those interviewed do provide a legitimate argument. Most are concerned with gang-related activities tied into bombing, along with the sanctity of their own homes.
While some seek to restrict graffiti from public space, advocates see themselves as reclaiming it.
The images and message of the film are strongly reinforced by the pulsating beats and lyrics of the music that accompany them. Messages of rebellion and opposing the social structure are emphasized by hip-hop and rock songs, most notably Rage Against the Machine's "Killing in the Name."
The cities that are explored are fittingly accompanied by music of the region made to blend with the on-screen art.
Overall, "Bomb It" is an outstanding view of a fascinating and creative underground community. The argument over graffiti as an acceptable form will continue to rage on, but the film is a work of art in its own right.
With its combination of music, visuals and the powerful words of the bombers themselves, "Bomb It" will provoke thought in viewers, both about art and freedom of expression.
Contact Ryan Dulany at rdulany.advocate@gmail.com.
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